’Stripetease 05’ wallpaper, €98 per m, by Michele Rondelli, for 4Spaces Textiles ‘Multiverse’ mirror, £3,250, by Söderberg Mills. ‘Ombré’ chair, price on request, by Germans Ermičs. ‘Blush’ lamp, price on request, by Formafantasma, for Flos. Pictured: ‘Prism’ champagne case, price on request, by Tokujin Yoshioka, for Dom Pérignon, from Baccarat. Söderberg Mills’ ‘Multiverse’ mirror and Michelle Rondelli’s ‘Strip-Tease’ wallpaper complete the multicoloured picture. Dichroic glass refracts brilliant colours in Formafantasma’s ‘Blush’ lamp for Flos, a slim vertical tube enclosing an LED strip, while Tokujin Yoshioka’s case for Dom Pérignon’s vintage 2009 champagne uses three Baccarat-crystal prisms that give refracted glimpses of the bottle within. Writer: Caragh McKayĬatch some rays with this blast of coloured designsĬonstructed from four sheets of coloured glass, the ‘Ombré’ chair by Latvian designer Germans Ermičs typifies a clear new trend in furniture design. ‘124°’ Mirror, £156, by Daniel Rybakken, for Artek Pictured: ‘My Green’ necklace, part of the Gallery collection, in yellow gold, with tourmalines, malachite and diamonds, £39,000, by Chanel Fine Jewellery,. By framing these in graphic, architectural forms, Chanel imbues traditional fine jewellery materials with a contemporary sensibility. Because it allows for bold colour combinations, yellow gold offers designers a chance to use densely-hued semi-precious hardstones alongside traditional light-filled gems, such as emeralds and diamonds. Chanel got the memo and used the yellow chain of its ‘2.55’ handbag as a starting point for a new 12-piece fine jewellery capsule collection, the Gallery, which includes this necklace, shown against the backdrop of Artek’s striking angular mirror. Obscured by its rose-hued counterpart in recent years, yellow gold, that 1970s casual-chic favourite, is once again finding its way into fine watch and jewellery design. Gallery Collection, by Chanel Fine Jewellery ‘Brazilian Agata Verde’ tiles, £154 per sq m, by Fernando and Humberto Campana, for Bisazza ‘Plisse’ lights, €370 each, by Emiliana Martinelli, for Martinelli Luce. ‘Antarctica’ coffee table, £60,000, by Fredrikson Stallard, for David Gill Gallery. ‘Atlantis’ lamp, from £11,000, by Barlas Baylar, for Terzani. ‘Gweilo Han Gr’ floor lamp, €1,695 ‘Gweilo Qin Gr’ floor lamp, €1,695 ‘Gweilo Song’ floor lamp, €550, all by Partisans, for Parachilna. Designed by Brazilian brothers Fernando and Humberto Campana, the small cement tiles were inspired by the spiral patterns of local agate. Smoothing out our seabed is the latest addition to Bisazza’s Cementiles collection. Meanwhile, Fredrikson Stallard’s acrylic ‘Antarctica’ coffee table is seemingly carved from a block of ice. Lights produced by Terzani, Parachilna and Martinelli Luce appear to float effortlessly, looking more like sinuous sea creatures than industrially developed objects.
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